5/2/2009, 5:30 a.m.
I wasn’t prepared for what I saw when I walked into Mimi’s room last night. Having not been in
I think that the difference between the narrative that I’m constructing here, the similar ones that I’m sure my father and his siblings are writing for themselves, and the narrative(s) of biopolitical exclusion that Inda discusses in his essay is not simply one of scope. It has something to do with the two meanings of passing: one having to do with a performative identity and the other with a traditional euphemism for death. The logic may be similar – the family is finding a way to deal with my grandmother’s death by narrating the difference between her conscious life and the physical life that expired, and the nation narrates a difference between its legal or cultural existence and the lives that are treated as excess and deported; my grandmother’s life is dissolving into our memories of her, but in a way already has passed materially into the lives of those who are her genetic descendants, and the person of the sovereign (the king) dissolves in a biopolitical nation-state into the sovereign existence of a people, which is then protected in the same way that his body once was. However, in some ways I think (or want to say) that the purposes of the parallel narratives are different. They’re both a preservation of self, but one is cognizant of the material history to which it relates, and the other is not. My attempt to begin working through the experience of watching my grandmother die is conscious of my material relation to her, whereas the narratives of American national identity that criminalize migration are not conscious of the historical causes of the particular patterns of that migration (to use the terminology emphasized by De Genova in his article on deportation). We might say that the current form of the United States and its concurrent narrative of self were birthed by the process and effects of westward expansion and colonization that we read about in Philip Deloria’s book, as well as by the forceful transfer of what is now the southwestern portion of the United States from the hands of the Mexican state (also constructed through a process of colonization, though different in important ways) into those of the U.S. government and its sovereign population. The fear that the narratives of “illegal immigration” depend upon are a fear of passing away. Instead of a physical expiration though, this passing would be a passing into a different identity – which, if we were to work through the logic, would point out that the national identity (or individual identities that make it up) are performed, though passed off as essential. The liminal lives of migrant workers are not valued, while the liminal life of my grandmother was valued, even as she passed away and was unconscious of what was going on around her, her family was intent upon narrating the experience in a positive way that included her as a meaningful participant in the event. Thus my father and his siblings engaged in a narrative not of biopolitical exclusion (as sovereign decision makers withdrawing support and allowing death), but of understanding and release. In contrast, the biopolitical decision of the sovereign as described by Inda is one in which passivity and aggression become indistinguishable as the nation state actively ignores its own historical constructedness and fragile legitimacy: It enacts deportation but does not give witness to the effects. On the other hand, the moment that I witnessed and participated in (and still am, in a way) was one in which I’ve been forced to confront and work through the fragile construction of “me” through identification (material and otherwise) with my grandmother. This recognizance pushed me through what I think was initially an impulse for purity through disavowal when I first arrived, and I was eventually able to briefly embrace her and then say goodbye. This type of recognition of ultimate sameness and the contact that it allows between two apparently different forms of the same life (human) is what is missing in the immigration policies and politics of the
Much love to you and your family. And such an extraordinary head space you must find yourself in now--this odd intersection of analyzing one's life and theorizing one's life. Your comments made me realize that I did the same sort of thing when my father died a few years back. I was the one in charge of putting together the funeral service, so that week became a process of creating the everyday in words, song, and visual layout. It's an odd space to be in, but yet a fitting one for those of us who, in a nutshell, think for a living. Best to you and your family, Andy.
ReplyDeleteOops--and I should acknowledge who I am, I suppose--that was Connie up above.
ReplyDelete