The Paredes piece on ethnographic work among minorities was extremely interesting to me, both as an exploration into problems of ethics in folklore studies (something that also came up in the Bronner ideology essay) and as a jumping off point for what Babcock identified as the anecdotal stories that end up being most important in the "intersubjective web of significance".
"A common criticism advanced by Chicanos is that anthropologists do not really know the Chicano's language. The anthropologist is likely to respond that he is fluent in Spanish, for most ethnographers seem to be satisfied if they have what is called fluency. It is hard to convince some of our colleagues that fluency in a language can be a dangerous thing. There is a guidebook flavor to the whole idea of fluency." (Paredes 75-6)
This is a problem that is certainly not isolated to the cultural group being discussed. Even in subsets of our own culture, there are groups with practices and languages that are foreign to outsiders. Inside jokes, code words, unspoken cues. I think the assumption, that just because we share a language with the people we study means that we "understand" them enough to speak for them, is a very dangerous one and leads to the misrepresentation that Ritchie speaks about in "Ventriloquist Folklore".
An example: in the world of tribal bellydance, there are a number of cues both spoken and unspoken that would be very difficult to decipher to an outsider studying the interaction of the group. Women within the group very frequently offer each other support by describing dance or costume as "sexy" or "hot", but if an outsider used these words of encouragement to describe the dance as a whole, there are many dancers who would be greatly offended. Bellydancers have made a focused effort to distance themselves from what is considered cheap eroticism and, particularly for tribal dancers, appreciation in the form of dollars in the waistband or wolf whistles would be a huge insult. Yet those within the circle wouldn't hesitate to joke about those things away from an audience.
While I had my problems with the conclusion of Ritchie's piece, the emphasis on being aware of a folklorist's perspective being constantly present is essential.
-Caitlin Rodriguez
Sunday, March 8, 2009
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