Friday, May 1, 2009

Twisted Love Affair

To begin, I find it helpful to refer to Berlant's third chapter in The Anatomy of National Fantasy. In this chapter, Berlant sets up the psychopathology of Puritan life as found in The Scarlet Letter and states that love is "a technical term designating a form of social control" (97). Just below, she goes on, and I think this description is valid in trying to come to terms with some of Genova's dealings and definitions of the migrant's plight in his article "'Illegality' and Deportability in Everyday Life." 

      "Juridical spectacle works to install a New Law by harnessing two different temporalities: first, that of New Testament eschatology, which places the Puritan colony within the time frame of God's providential 'calendar,' and second, that of the duration of the legal spectacle itself, which places the citizen in a present tense defined by the parameters of the legal 'event'" (79-8).

I couldn't help but see this concept/theory applied to recent border policy and attitudes towards the immigrant; the border spectacle provides this same "juridical spectacle" that Berlant talks about in her book; in a sense, the border provides a twisted, backwards expression of love, in that it, according to Genova, "has been rendered synonymous with the U.S. nation-state's purported 'loss of control' of its borders and has supplied the pretext for what has in fact been a continuous intensification of militarized control on the U.S.-Mexico border" (436). A loss of control might appear obvious to the casual onlooker, but Genova goes on to say that the spectacle--the root from which causes this twisted form of love to grow--is grounded in the fact that border agents have created a "revolving door" policy--most of the immigrants picked up along the border are given the choice to "waive their rights to a deportation hearing," return to Mexico and then attempt to enter the country again until they succeed on crossing. The law, therefore, sets up a false pretense of control, but it is enough to satiate the minds of U.S. citizens that the country is being protected; meanwhile, the spectacle provided at the border between immigrants and patrol agents, seems to be working to form a tacit understanding, dare I say love: it almost seems to me like a I'll-scratch-your-back-if-you-scratch-mine gesture. Somewhere along the way, Genova states, our U.S. policy traded in the immigrant for a dollar sign: we began to see him as currency in jobs or positions other citizens were unwilling to take. When this happened, the spectacle began, and has continued. 

--Julie Luaterbach-Colby

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