Monday, April 6, 2009

Thank you for being a friend

Let's start with a side note. Kathleen Stewart's tendency to start sentences with "Imagine..." or "Picture..." made me read this whole book with the voice of Estelle Getty in my head.



I actually think that worked to the advantage of the book. Estelle Getty's character Sophia lived in just the sort of community being described here. Insular, both tight knit and "gossipy", economically challenged. If nothing else, hearing Sopia read in my head made the book a lot of fun.

I was mostly struck by how much I felt like I understood the lives of the people being written about. I grew up in a larger community than the one being described, but it was also the only population area in a fairly large valley in Western Nebraska. I had many elderly neighbors growing up who had never left the valley in their entire lives. And as far as most of the rest of the state was concerned, our little corner didn't even exist. I'm not sure if we would have needed to create a "space on the side of the road" because I'm not convinced that even that space would have made others realize we were there.

The idea of space is one I'm currently obsessed with. Mostly, what type of space is being discussed. There are spaces for living, spaces for performing, spaces for dialogue (which can be performing), spaces for solitary creativity, etc. I think looking carefully at what sort of space is needed vs what sort of space can be made available is an important step in discussing the lives and tribulations of any population. I think Kathleen Stewart generally does a good job of that. I actually felt like she was the first ethnographer I've read (in this class or my other class this semester) who really managed to situate herself in way that felt satisfying to me. She not only seemed aware of the challenges and triumphs of the community she was studying, but she also seemed very aware of her own positionality as a researcher.

-Josh Zimmerman

1 comment:

  1. Thank you so much for bringing Sophia Petrillo into this discussion. I'm glad I'm not the only one who thought of "Picture it: Sicily, 1932 . . .) while I was reading. I think we should be best friends now.

    Ashley

    ReplyDelete