As I was reading both the Leslie Chang piece and Wallace Stevens' poetry, as well as most of the creative works we focused on this week, I focused again and again on the use of symbolism in description and how it connects to our overall goal of examining the everyday.
My own poetry has frequently critiqued for overuse of symbols and metaphors and I completely agree, I'm obsessed. The perfect way of describing one thing, the way to make it stand out vividly and authentically in a reader's mind, can often be comparing it to something entirely unrelated. One of my favorite examples, from Chang: "My mother makes dumplings filled with black sesame paste, boiling them in sugar water perfumed with the dried flowers, which float in the bowl like tired stars."
The image in my mind is immediately snapped out of the description of things I can only vaguely picture (Do I really know what black sesame paste is? What does her mother look like, what is she wearing, is she smiling when she cooks?) into the eloquent simplicity of small tired stars (they droop a little around the edges, they just needed to come down to earth for a bit of a rest, they'll be alright in a minute).
I feel that symbols and metaphors have a special place in the description of the everyday because there are always moments in daily routine that are difficult to communicate to someone outside the experience. By relating those moments to something that either is more likely to be present in another person's experiences or an image that clarifies both visual and emotional aspects (the stars are both physically wilting, lying on the water, and there is a feeling of quiet rest), the worlds of both people meet.
When I wonder about how to narrate my daily movement around my apartment with its huge open windows, I think about sunflowers and how they move during the day to always show their face to the light. In order to keep the light on my papers while I read, I shift in increments each hour until sunset when I have to finally give in and turn the lamps on.
-Caitlin Rodriguez
Sunday, February 8, 2009
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